Sans Superellipse Abdod 5 is a regular weight, normal width, low contrast, upright, tall x-height font visually similar to 'Bio Sans' and 'Bio Sans Soft' by Dharma Type, 'Camber' by Emtype Foundry, 'Corelia' by Hurufatfont, 'HD Node Sans' by HyperDeluxe, and 'Frygia' by Stawix (names referenced only for comparison).
Keywords: ui text, product design, wayfinding, headlines, dashboards, modern, neutral, friendly, utilitarian, clean, clarity, approachability, system design, contemporary neutrality, screen comfort, rounded, soft corners, geometric, even color, compact.
A clean sans with softly squared, superellipse-like curves and consistently rounded terminals. Strokes stay even and calm, producing a steady typographic color with little visual drama. Bowls and counters skew toward rounded-rectangle geometry (notably in C/G/O/Q and the lowercase), while straight stems remain firm and vertical. Lowercase forms are large and open, with simple, sturdy constructions; numerals are similarly straightforward with broad curves and stable verticals.
Well-suited to interface typography, product branding systems, and information-heavy layouts where steadiness and legibility are priorities. The rounded geometry also works nicely in signage, dashboards, and clean editorial headlines that want a contemporary, approachable voice without becoming playful.
The overall tone is contemporary and approachable—neutral enough for everyday UI copy, but with a subtle softness from the rounded geometry that keeps it from feeling cold or purely technical. It reads as pragmatic and friendly, aiming for clarity and consistency over personality-driven quirks.
Likely intended as a modern, workhorse sans that combines geometric discipline with softened corners to improve friendliness and screen comfort. The emphasis appears to be on clear word shapes, consistent rhythm, and a contemporary superellipse-driven identity that feels at home in digital environments.
The design balances rounded shapes with crisp, squared-off joins, giving letters a slightly “softened industrial” feel. Spacing appears comfortable in text, and the sturdy shapes hold up well at larger sizes where the rounded-rectangle character becomes more apparent.