Sans Superellipse Ukman 5 is a very bold, very narrow, low contrast, upright, tall x-height font visually similar to 'Kufica' by Artegra, 'Bs Kombat' by Feliciano, 'Aureola' by OneSevenPointFive, 'Fresno' by Parkinson, 'Branson' by Sensatype Studio, 'Goodland' by Swell Type, 'Optoisolator' by Typodermic, and 'Matricule 59' by designdefontes (names referenced only for comparison).
Keywords: headlines, posters, branding, signage, sportswear, industrial, condensed, assertive, retro-futurist, mechanical, space saving, high impact, geometric voice, signage clarity, industrial mood, rectilinear, rounded corners, stencil-like, monoline, compact.
A condensed sans built from straight strokes and rounded-rectangle curves, giving most letters a squared, superellipse silhouette. Corners are consistently softened, counters are small and mostly rectangular, and stroke weight remains even across the design. Proportions are tall and tightly set, with short ascenders/descenders and a large lowercase body relative to capitals. Several joins and terminals feel cut or notched, adding a subtle stencil-like, engineered texture while keeping the overall forms clean and geometric.
Best suited to headlines, posters, packaging, and bold branding where a compact, high-impact word shape is desired. It also fits wayfinding/signage and sportswear or industrial-themed graphics, especially when space is limited and a tall, condensed silhouette helps stack or align text.
The overall tone is industrial and authoritative, with a utilitarian, machine-made feel. Its compact, squared curves and heavy presence suggest control, signage, and display typography with a slightly retro-futurist flavor rather than a friendly or conversational voice.
The font appears designed to deliver maximum impact in a narrow footprint, using rounded-rectangle geometry and tight counters to create a sturdy, engineered presence. Its consistent stroke behavior and controlled curves prioritize uniformity and punch over delicate detail, aiming for display clarity and a strong, mechanical identity.
Round letters (like O/C/G) read more like squared capsules than true circles, and the numerals follow the same compact, vertical rhythm. The design favors strong verticals and closed apertures, which boosts impact at large sizes but makes interior whitespace feel intentionally tight.