Sans Superellipse Ibnun 7 is a very bold, normal width, low contrast, upright, tall x-height font visually similar to 'Ramsey' by Associated Typographics, 'Tradesman' by Grype, 'First Prize' by Letterhead Studio-VG, 'Amboy' by Parkinson, 'Diamante Serial' by SoftMaker, and 'Huberica' by The Native Saint Club (names referenced only for comparison).
Keywords: posters, headlines, sports branding, packaging, signage, industrial, retro, blocky, confident, sporty, impact, branding, display, athletic, rounded corners, squarish, geometric, compact, punchy.
A heavy, block-driven sans with squarish counters and broadly rounded corners, giving many letters a rounded-rectangle silhouette. Strokes are uniform and dense, with sturdy verticals and flattened terminals that keep edges crisp while avoiding sharp corners. The lowercase has a tall, compact build, with simple one-storey forms (notably a and g) and minimal detailing; joins are straight and pragmatic rather than calligraphic. Numerals and capitals follow the same chunky geometry, with generous interior rounding and tight-looking apertures that emphasize solidity at display sizes.
Best suited to short, high-impact settings such as posters, headlines, logos, sports or team marks, packaging, and bold signage where the sturdy shapes can read cleanly. It can also work for UI labels or badges when used sparingly and with sufficient spacing, but its dense texture makes it less ideal for long-form paragraphs at small sizes.
The tone is forceful and workmanlike, leaning into a retro-industrial and athletic headline feel. Its rounded-rect geometry reads friendly enough to avoid harshness, but overall it stays assertive, loud, and built for impact.
The font appears designed to deliver maximum visual punch through simplified, geometric letterforms built from rounded rectangles. Its consistent stroke mass and compact proportions suggest an emphasis on legibility at large sizes and a strong brandable presence rather than nuanced text typography.
The design language is consistently superelliptical across rounds (O, Q, 0, 8), and diagonals (V, W, X, Y) are rendered as thick wedges that further amplify the weight. In text, the dense color and compact apertures suggest it will look best when given breathing room through tracking and line spacing, especially in longer settings.