Sans Superellipse Fikav 6 is a bold, very wide, medium contrast, italic, normal x-height font.
Keywords: sports branding, headlines, posters, logotypes, packaging, sporty, futuristic, dynamic, technical, assertive, speed emphasis, modern display, impact branding, tech aesthetic, athletic tone, oblique, extended, rounded, square-round, sleek.
An extended, oblique sans with a squared-round (superelliptic) construction that keeps curves taut and corners softly radiused. Strokes are heavy and clean with minimal modulation, and terminals tend to finish in blunt, slightly angled cuts that reinforce forward motion. Round characters like O, Q, and 0 read as rounded rectangles, while diagonals (V, W, X, Y, Z) are sharp and decisive; spacing appears generous to match the wide proportions and keep counters open. Numerals follow the same aerodynamic geometry, with flattened curves and steady, engineered rhythm.
Best suited to attention-setting applications such as sports and automotive branding, campaign headlines, posters, product packaging, and logo wordmarks where its width and slant can become part of the identity. It can also work for short UI labels or signage when a bold, kinetic voice is desired, but it will be most effective in larger sizes and shorter runs of text.
The overall tone is fast, modern, and performance-driven, evoking motorsport graphics, athletic branding, and tech-forward interfaces. Its slanted stance and wide footprint feel energetic and confident, with a controlled, industrial smoothness rather than a playful softness.
The font appears designed to deliver a streamlined, high-velocity look by combining extended proportions with superelliptic rounding and firm, angled terminals. The goal seems to be a contemporary display sans that reads quickly while projecting speed, power, and modernity.
The design language stays consistent across cases: lowercase forms are streamlined and simplified, with compact joins and rounded-rectangle bowls that mirror the uppercase. The oblique angle is pronounced and works as a primary stylistic cue, giving even short words a sense of speed and direction.