Sans Normal Opdur 3 is a bold, normal width, medium contrast, upright, normal x-height font visually similar to 'Barmeno' by Berthold, 'FF Sari' by FontFont, 'Contemporary Sans' by Ludwig Type, 'Ocean Sans' by Monotype, 'Nat Grotesk' and 'Orbi Sans' by ParaType, 'Reba Samuels' by Samuelstype, 'Clear Gothic Serial' by SoftMaker, and 'TS Clear Gothic' by TypeShop Collection (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, confident, modern, friendly, straightforward, punchy, impact, clarity, modernity, utility, approachability, rounded, geometric, compact, blocky, clean.
This typeface is a sturdy, geometric sans with rounded bowls and a compact, efficient skeleton. Strokes are consistently heavy with clean terminals and minimal modulation, producing strong silhouettes and even color in text. Counters are relatively tight and apertures tend toward the closed side, while joins and curves stay smooth and controlled. The lowercase shows a utilitarian build (single‑storey forms for a and g), with short ascenders/descenders and a solid, centered rhythm that keeps lines feeling dense and stable. Numerals are similarly robust and evenly weighted, designed to hold their shape at display sizes.
Best suited to headlines and short blocks of copy where its compact shapes and strong stroke weight deliver immediate impact. It works well for branding and packaging that benefit from a modern, approachable sturdiness, and for signage or labels where bold forms need to remain clear at a glance.
The overall tone is assertive and contemporary, with a friendly roundedness that keeps it approachable rather than severe. Its dense, dark texture reads as energetic and attention-grabbing, suitable for messaging that needs to feel clear and decisive. The geometric, no-nonsense construction lends a practical, workmanlike personality.
The design appears intended to provide a dependable, geometric sans optimized for strong presence and straightforward readability in display contexts. Its simplified, rounded construction suggests an aim for modern versatility with a friendly edge, keeping forms familiar and highly legible while maximizing visual weight and punch.
At larger sizes the heavy weight and tighter internal space create strong impact, but the darker text color can make long passages feel dense. The letterforms prioritize uniformity and solidity over airy openness, which supports high-contrast applications and bold typographic hierarchy.