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Free for Commercial Use

Sans Normal Osded 9 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Novel Display' by Atlas Font Foundry, 'Linotype Aroma No. 2' by Linotype, 'Marat Sans' by Ludwig Type, 'Adagio Sans' by Machalski, 'Qamari Sans' by NamelaType, 'Alinea Sans' by Présence Typo, 'Plusquam Sans' by Typolis, 'Acorde' by Willerstorfer, and 'Phoenica Std' by preussTYPE (names referenced only for comparison).

Keywords: headlines, posters, branding, logos, packaging, bold, friendly, sporty, posterlike, playful, high impact, approachability, modern utility, attention grabbing, chunky, rounded, compact, sturdy, punchy.


Free for commercial use
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This typeface uses heavy, saturated strokes with soft rounding at corners and terminals, giving the letters a chunky, sculpted presence. Curves are broad and smooth, counters are relatively tight, and the overall color on the page is dense and even. Uppercase forms read as simple geometric constructions with squared-off joins, while lowercase shapes maintain a compact, sturdy rhythm; elements like the single-storey “a” and the looped “g” reinforce an informal, contemporary sans feel. Figures are similarly weighty, with large bowls and minimal internal space that keep numerals bold and high-impact.

It performs best in display settings such as headlines, posters, signage, packaging, and bold brand statements where weight and presence are an advantage. Short blocks of copy and callouts benefit from its strong, compact letterforms, while larger sizes help preserve clarity in the tighter counters.

The overall tone is confident and energetic, leaning toward a friendly, contemporary voice rather than a formal one. Its rounded massing and compact counters create a warm, approachable impact that feels well suited to attention-grabbing messaging and upbeat branding.

The design appears intended to deliver maximum visual impact with a modern, approachable sans personality. By combining geometric simplicity with softened terminals and a compact rhythm, it aims for clear, energetic communication in branding and promotional typography.

At text sizes the tight counters and dense texture can make long passages feel heavy, but at display sizes the consistent stroke mass and smooth curves read cleanly and emphatically. The design favors simple, punchy silhouettes over delicate detail, keeping recognition strong in headlines.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸