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Free for Commercial Use

Sans Normal Oldan 2 is a bold, normal width, low contrast, upright, short x-height font visually similar to 'Geometric 415' by Bitstream; 'Blackpast', 'Cloudster', 'Glendale', 'Glorich', and 'Lequire' by Sarid Ezra; and 'Geometric 415' by Tilde (names referenced only for comparison).

Keywords: headlines, branding, packaging, posters, signage, friendly, modern, approachable, confident, clean, approachability, impact, modernity, clarity, brand tone, rounded, geometric, soft, compact, sturdy.


Free for commercial use
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A heavy, rounded sans with smooth, continuous curves and minimal modulation. Counters are generally open and near-circular, while joins and terminals are softened, giving strokes a gently cushioned feel rather than hard, squared endings. Proportions lean compact in the lowercase with a relatively small x-height and pronounced ascenders/descenders, and the overall rhythm reads steady and even. Diacritics and punctuation-like details (such as the i/j dots) appear as clear round points, reinforcing the typeface’s circular motif.

This style is well suited to headlines and short display copy where its rounded weight and clean geometry can carry personality. It can work effectively in branding and packaging, especially for products aiming for a friendly, contemporary look. The sturdy forms also make it a good candidate for posters and signage where a bold, approachable voice is needed.

The overall tone is friendly and contemporary, combining a sturdy weight with softened geometry. It feels approachable and slightly playful without becoming informal, making it suitable for brands that want warmth alongside clarity. The rounded construction lends a personable voice while maintaining a straightforward, modern presence.

The font appears designed to deliver a modern sans-serif voice with softened, rounded geometry—balancing clarity and impact with a welcoming character. Its consistent curves and sturdy strokes suggest an emphasis on high visibility and an amiable, brand-ready tone.

The design emphasizes consistent roundness across letters and numerals, producing cohesive texture in text settings. Larger sizes show the smooth geometry and generous curves clearly, while the compact lowercase proportions keep lines visually tidy and controlled.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸