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Free for Commercial Use

Sans Normal Tynun 6 is a very bold, wide, high contrast, upright, normal x-height font visually similar to 'Beatrice Deck', 'Beatrice Display', and 'Beatrice Headline' by Monotype and 'Gella Display' by Slava Antipov (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, sportswear, sporty, industrial, playful, retro, punchy, attention grabbing, display impact, brand voice, graphic texture, blocky, geometric, compact counters, sharp joints, angled terminals.


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A heavy, geometric sans with assertive, simplified letterforms and a strong, even vertical stance. Curves are built from broad, circular bowls with tight internal counters, while many strokes end in angled, wedge-like terminals that introduce a cut, almost chiseled edge. Several joins and diagonals feel intentionally sharp and mechanical, creating a lively rhythm across words. Numerals follow the same sturdy construction, with compact apertures and emphatic, blunt silhouettes that hold their shape at large sizes.

Best suited to headlines, posters, and short, emphatic statements where its mass and distinctive terminals can work as a graphic element. It can also support bold branding, packaging, and sports or event-oriented communication where impact and immediacy matter more than quiet readability. For extended text, it will be most effective at generous sizes with ample spacing.

The overall tone is loud and energetic, balancing a utilitarian, industrial toughness with a slightly playful, stylized attitude. Its crisp cut-ins and wedge terminals add personality that reads as sporty and retro-leaning rather than neutral. The result feels attention-grabbing and designed to project confidence and impact.

This design appears intended to deliver maximum visual impact through dense, geometric forms and signature wedge-like terminals that differentiate it from neutral sans styles. The letterforms prioritize a strong silhouette and a memorable texture, suggesting use in display typography where identity and punch are primary goals.

The dense black shapes and compact counters can reduce clarity in smaller settings, while the distinctive angled terminals make the texture more expressive than a typical workhorse sans. In longer lines, the strong rhythm and repeated wedge cuts become a defining visual motif that can dominate the page, especially in all-caps.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸