Sans Superellipse Etbek 13 is a bold, normal width, low contrast, italic, normal x-height font visually similar to 'Moveo Sans' by Green Type, 'Allotrope' by Kostic, 'Metronic Pro' by Mostardesign, 'Belle Sans' by Park Street Studio, 'Core Sans N' by S-Core, 'Robusta' by Tilde, 'Nuno' by Type.p, and 'Ranelte' by insigne (names referenced only for comparison).
Keywords: headlines, posters, branding, sportswear, packaging, sporty, assertive, modern, dynamic, confident, impact, motion, clarity, modernity, approachability, oblique, rounded, geometric, compact, sturdy.
This typeface is a heavy, right-leaning sans with rounded, superellipse-like curves and broadly even stroke weight. Forms are compact and sturdy, with softened corners and clean joins that keep counters open despite the dark color. Terminals tend to be blunt and slightly angled, reinforcing the oblique motion. Overall spacing and proportions feel disciplined and contemporary, with a consistent geometric rhythm across capitals, lowercase, and numerals.
It performs best in display settings where impact and speed are desirable—headlines, posters, brand marks, and short promotional phrases. The bold, oblique construction also suits sports and fitness branding, packaging callouts, and attention-grabbing UI banners where clarity at large sizes matters most.
The overall tone is energetic and forceful, with a forward-leaning stance that suggests motion and decisiveness. Rounded geometry keeps it approachable, while the dense weight and compact shapes make it feel confident and performance-oriented.
The design appears intended to deliver a modern, high-energy sans voice by combining bold massing with rounded superellipse geometry and a decisive oblique angle. The goal seems to be strong visibility and a contemporary, motion-driven personality without relying on sharp corners or high contrast.
Capitals read as strong blocks with generous internal rounding, and the numeral set matches the same compact, athletic feeling. The italic slant is uniform and prominent, making the face feel more like a purpose-drawn oblique than a merely slanted roman.