Sans Superellipse Ibluw 9 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Schnebel Sans ME', 'Schnebel Sans Pro', and 'URW Form' by URW Type Foundry (names referenced only for comparison).
Keywords: headlines, posters, packaging, branding, signage, playful, friendly, punchy, retro, sporty, high impact, approachability, display clarity, brand voice, retro energy, rounded, soft corners, bulky, compact, bouncy.
A heavy, rounded sans with blocky, superellipse-like forms and softened corners throughout. Strokes are consistently thick with minimal modulation, producing a dense, high-impact color on the page. Counters tend to be compact and rounded, and many joins and terminals are subtly tapered or angled, giving shapes a lively, slightly irregular rhythm rather than a purely geometric feel. Uppercase proportions are broad and stable, while the lowercase keeps a sturdy, compact structure with clear, simple bowls and short, strong arms.
Well suited to headlines and short statements where maximum impact is desired, such as posters, signage, and promotional graphics. It can also work for bold brand marks, packaging callouts, and social media graphics where a friendly, chunky voice is helpful. For longer passages, larger sizes and generous spacing will help maintain clarity.
The overall tone is upbeat and approachable, with a confident, poster-like loudness. Its rounded geometry and chunky weight read as friendly and contemporary, with a hint of retro signage and athletic branding energy. The small quirks in angles and tapering add personality, making it feel less sterile and more animated.
Likely designed to deliver a warm, high-impact display voice by combining very heavy strokes with rounded, superellipse-inspired geometry. The intent appears to balance geometric solidity with small angular/tapered touches that keep the rhythm energetic and distinctive.
In text settings the strong weight compresses internal spaces, so the font’s character is most evident at display sizes where the rounded corners and lively terminals can be appreciated. The numerals follow the same chunky, rounded construction and maintain a cohesive, bold presence alongside letters.