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Free for Commercial Use

Sans Superellipse Pigor 11 is a very bold, very narrow, low contrast, upright, normal x-height font visually similar to 'ATF Alternate Gothic' by ATF Collection, 'Benton Sans' and 'Benton Sans Std' by Font Bureau, 'FF Good' by FontFont, 'Larrikin' by HeadFirst, 'Gotham' by Hoefler & Co., and 'Fact' by ParaType (names referenced only for comparison).

Keywords: headlines, posters, packaging, signage, sports branding, condensed, assertive, industrial, sporty, poster-like, space saving, high impact, modern utility, brand emphasis, blocky, sturdy, compact, geometric, rounded.


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A compact, heavy sans with tightly proportioned capitals and a slightly varying set-width across the alphabet. Curves are built from rounded-rectangle geometry, giving bowls and counters a squared-off softness rather than true circles. Strokes are consistently thick with minimal modulation, terminals are clean and mostly flat, and curves join into stems with firm, engineered transitions. The lowercase maintains a straightforward, utilitarian construction with single-storey forms where applicable and a robust dot on i/j, while numerals match the same dense, punchy color and simplified geometry.

This font is well suited to headlines, posters, and short, emphatic messaging where compact width and strong presence are assets. It can also work for signage and packaging where a sturdy, geometric voice is desired, especially in large-scale applications and high-contrast layouts.

The overall tone is bold and no-nonsense, with a compressed, attention-grabbing rhythm that reads as confident and modern. Its squared-round curves and tight spacing cues an industrial, athletic, and display-forward personality rather than a delicate or literary one.

The design appears intended to deliver maximum impact in a tight horizontal footprint, combining dense weight with rounded-rectangular geometry for a contemporary, engineered look. Its simplified forms prioritize punchy legibility and a consistent, bold texture for display-driven typography.

In the text sample, the dark typographic color builds quickly, making the face feel best when given room to breathe. The condensed proportions and squared counters create strong word shapes at larger sizes, while small sizes may need generous tracking and line spacing to avoid a crowded texture.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸