Sans Normal Ufrey 2 is a regular weight, normal width, high contrast, upright, normal x-height font visually similar to 'MC Attrey' by Maulana Creative and 'Blacker Sans Pro' by Zetafonts (names referenced only for comparison).
Keywords: branding, editorial, headlines, ui text, signage, modern, confident, clean, refined, versatility, clarity, modernization, distinctiveness, readability, crisp, open, rational, sculpted, brisk.
This typeface presents a clean, sculpted construction with smooth curves and crisp terminals. Stroke modulation is noticeable, giving round letters like C, O, and S a polished, slightly calligraphic tension while remaining straightforward in structure. Proportions feel balanced and readable, with open apertures and clear counters across both uppercase and lowercase. The lowercase forms are simple and functional, with a double-storey “a,” single-storey “g,” and generally compact joins that keep text color even; numerals are clear and sit comfortably with the letters, with the “1” carrying a small top flag and the “2” finishing with a flat base.
It works well for branding systems and editorial layouts where a clean, contemporary voice is needed with a bit of refinement. The clear counters and steady texture support UI copy and informational text, while the strong uppercase shapes and crisp diagonals make it effective for headlines and signage.
The overall tone is modern and confident, with a refined edge created by the contrast and clean finishing. It reads as neutral-professional rather than playful, lending a slightly editorial character that feels appropriate for contemporary branding and interface-forward typography.
The design appears intended to offer a versatile sans for modern communication: clean enough for long-form use, but with enough stroke shaping and contrast to feel distinctive in display sizes. It aims for clarity and professionalism while adding a subtle, polished character to everyday typography.
Spacing appears measured and consistent, producing a steady rhythm in paragraph settings. Curved letters show controlled, rounded geometry, while diagonals (V, W, X, Y) remain sharp and decisive, helping headings feel strong without becoming aggressive.