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Free for Commercial Use

Sans Normal Orrid 8 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'ITC Officina Display' by ITC, 'Amsi Pro' and 'Amsi Pro AKS' by Stawix, 'Radiate Sans' by Studio Sun, 'Nauman Neue' by The Northern Block, and 'Obvia Narrow' by Typefolio (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, confident, friendly, modern, loud, playful, impact, clarity, approachability, modernity, heavy, rounded, chunky, compact, clean.


Free for commercial use
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This typeface is a heavy, geometric sans with smooth, rounded curves and largely uniform stroke weight. Counters are open and simplified, with compact internal spaces in letters like a, e, and s that reinforce a dense, poster-ready color on the page. Terminals are clean and mostly straight-cut, while curves (C, G, O, S) stay broadly circular and stable. The lowercase shows a single-storey a and g, and overall proportions lean slightly compact, giving the design a sturdy, blocky rhythm. Numerals are bold and straightforward, with simple shapes and strong vertical emphasis that keeps figures highly prominent in text.

Best suited for headlines, display typography, and short bursts of copy where impact and clarity are priorities. It works well for branding, packaging, and signage that benefits from a bold, friendly modern presence, and it can be effective in UI or social graphics when used at sufficiently large sizes.

The overall tone is assertive and upbeat, balancing a utilitarian, modern feel with a friendly roundness. It reads as direct and attention-grabbing rather than delicate, with a contemporary, approachable voice suited to bold messaging.

The design appears intended to deliver maximum visual presence with a clean, geometric construction and approachable rounded forms. Its heavy weight and simplified counters suggest a focus on strong legibility at display sizes and a confident, contemporary brand tone.

In longer sample text, the weight produces strong texture and high impact, while the tight counters and thick joins can make small sizes feel dense. The letterforms stay consistent and restrained, relying on proportion and rounded geometry rather than stylistic quirks for personality.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸