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Sans Superellipse Hurij 11 is a very bold, narrow, monoline, upright, normal x-height font visually similar to 'ATF Railroad Gothic' by ATF Collection, 'Bergk' by Designova, 'Astern Shade' by Edignwn Type, 'Monotage' by Fargun Studio, and 'Nestor' by Fincker Font Cuisine (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, industrial, athletic, assertive, retro, utilitarian, impact, space-saving, clarity, modernity, condensed, blocky, rounded, sturdy, compact.


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This typeface is built from compact, heavily weighted strokes with rounded-rectangle (superellipse-like) curves and broadly squared terminals. Counters are tight and geometric, producing strong black shapes and a dense texture in text. The construction stays largely uniform in stroke weight, with minimal contrast and simple joins that emphasize clarity over nuance. Proportions are condensed and vertically oriented, with a steady rhythm and consistent rounding across curves and corners.

It performs best in short to medium-length settings where impact is the priority, such as headlines, posters, labels, and branding marks. The compact width and heavy mass also suit wayfinding or signage-style applications where space is limited but visibility must remain strong. For extended reading, it works more effectively as an accent face rather than primary body text.

The overall tone is forceful and pragmatic, with a bold, no-nonsense presence that reads as industrial and athletic. Its tight counters and condensed stance create an urgent, punchy voice suited to attention-grabbing messages. The rounded corners temper the severity slightly, keeping the feel modern and approachable rather than harsh.

The design appears intended to deliver maximum visual punch in a condensed footprint, using rounded-rectilinear geometry to create bold, uniform silhouettes. Its consistent stroke behavior and simplified forms suggest a focus on sturdy reproducibility and clear, modern display typography.

The numerals and uppercase forms feel especially block-forward and sign-like, while the lowercase maintains the same compact geometry for a cohesive, poster-ready texture. In longer lines, the density and narrow set create a compressed, impactful paragraph color that favors emphasis over airiness.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸