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Sans Normal Nugur 9 is a very bold, wide, low contrast, upright, normal x-height font visually similar to 'Berthold Standard' by Berthold, 'Helen Bg' by HS Fonts, 'Urania' by Hoftype, 'Alexer' and 'Alexer Pro' by NicolassFonts, 'Europa Grotesk No. 2 SB' by Scangraphic Digital Type Collection, and 'NeoGram' by The Northern Block (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, confident, friendly, punchy, modern, playful, impact, approachability, clarity, display strength, rounded, compact, heavyweight, geometric, blunt terminals.


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A heavy, rounded sans with broad proportions and large, open counters that keep shapes readable at size. Curves are built from clean circular/elliptical forms, while joins and terminals stay blunt and squared-off, creating a crisp, poster-like silhouette. Uppercase forms are stable and blocky, with a generous x-height in the lowercase and sturdy, simplified details (notably in diagonals and bowls) that emphasize mass and clarity. Numerals match the letterforms in weight and width, with smooth curves and compact apertures that feel cohesive in text and display settings.

This font performs best in display contexts such as headlines, posters, brand marks, packaging, and bold UI callouts where its rounded geometry and strong weight can carry the message. It can also work for short blocks of text or labels when ample spacing and size are available, but its heavy build is most at home where impact is the primary goal.

The overall tone is bold and straightforward, with a friendly softness from the rounded construction. It reads as contemporary and energetic, leaning toward a playful, attention-grabbing voice rather than a reserved editorial one. The weight and wide stance add confidence and impact, making the font feel assertive without becoming harsh.

The design appears intended to deliver a modern, approachable display voice: strong geometric forms, rounded construction, and simplified details that stay legible and consistent at large sizes. Its proportions and sturdy rhythm suggest a focus on branding and attention-driven typography rather than delicate nuance.

The design prioritizes strong silhouettes and even rhythm, producing uniform color in headlines. Rounded geometry and simplified shapes make it especially effective for short phrases and branding where immediate recognition matters.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸