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Free for Commercial Use

Sans Normal Kagin 2 is a bold, wide, low contrast, italic, normal x-height font visually similar to '1955' by Alan Smithee Studio; 'Modo Sans' by Davide Romito; 'Gotham' by Hoefler & Co.; 'Gexo Sans' by Java Pep; and 'Clinto', 'Giane Sans', 'Inovasi', and 'Nova Pro' by XdCreative (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, sportswear, sporty, dynamic, confident, modern, friendly, impact, emphasis, momentum, approachability, modernity, rounded, slanted, soft-cornered, clean, compact.


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A heavy, forward-slanted sans with rounded, softly squared terminals and smooth, continuous curves. Letterforms are broad with generous counters, giving the shapes a sturdy, open feel despite the strong weight. Stroke modulation is minimal, producing an even, graphic texture; joins and curves stay tight and controlled, and diagonals (V, W, X, Y, Z) read crisp and energetic. Lowercase forms are compact and rounded, with single-storey a and g, a short-armed t, and a simple, legible f; figures are similarly robust and slightly condensed in their internal apertures.

Best suited to display settings such as headlines, posters, and brand marks where the slanted, heavy forms can deliver energy and emphasis. It also fits packaging, apparel graphics, and promotional materials that benefit from a modern, athletic feel. For longer reading, it performs better in short bursts—subheads, pull quotes, or UI emphasis—rather than extended body text.

The overall tone is assertive and kinetic, with a friendly softness from the rounded terminals. The slant adds momentum and a contemporary, sporty voice, while the heavy weight projects confidence and impact. It balances approachability with a strong, promotional presence.

The design appears intended as an impactful italic sans for attention-driven typography, pairing bold presence with rounded, approachable detailing. Its broad proportions and simplified, modern construction suggest a focus on legibility at display sizes and a punchy, energetic rhythm.

In text, the dense weight and rounded geometry create a dark, cohesive color that suits short lines and punchy phrases. Wide letter shapes and open counters help maintain clarity, but the strong slant and massed strokes can feel visually busy at very small sizes or in long paragraphs.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸