Sans Superellipse Pidom 6 is a very bold, very narrow, monoline, upright, normal x-height font visually similar to 'Quiel' by Ardyanatypes, 'Brecksville' by OzType., and 'Libel Suit' by Typodermic (names referenced only for comparison).
Keywords: posters, headlines, branding, packaging, signage, industrial, retro, punchy, condensed, poster, space-saving, high impact, systematic, modernized retro, rounded corners, squared curves, high contrast counters, tight spacing, compact.
A compact, all-caps-friendly sans with a tall, tightly condensed stance and uniform stroke thickness. Curves are built from squared-off, superellipse-like shapes with consistently rounded corners, producing oval/rectangular counters and a slightly “softened” geometry. Terminals are blunt and clean, with minimal modulation; bowls and shoulders stay compact while stems remain dominant, giving the design a strong vertical rhythm. The lowercase follows the same condensed structure with simplified forms and tight apertures, and the numerals match the squared-rounded logic for a cohesive, blocky texture.
Best suited to display work where strong vertical presence and compact width are advantages, such as posters, headlines, branding lockups, packaging, and signage. It can also work for short subheads or labels where a dense, uniform texture is desirable, while very long text blocks may feel visually heavy due to tight counters and spacing.
The overall tone is bold and utilitarian with a retro-industrial flavor—confident, assertive, and built for impact. Its softened rectangular curves keep it from feeling harsh, balancing mechanical efficiency with a friendly, approachable solidity.
The font appears designed to deliver maximum impact in minimal horizontal space, using rounded-rectangle geometry to create a distinctive, modernized industrial voice. Its consistent stroke and compact proportions suggest an emphasis on clarity, punch, and a repeatable, system-like aesthetic across capitals, lowercase, and numerals.
The design’s narrow build and tight internal spaces create a dense typographic color, especially in longer lines. Distinctive superellipse counters and rounded-rectangle joins are the primary identifying traits, giving the face a consistent, engineered look across letters and figures.