Sans Superellipse Fokul 1 is a very bold, normal width, low contrast, italic, tall x-height font visually similar to 'Cybersport' by Anton Kokoshka, 'Celluloid JNL' by Jeff Levine, 'Hyperspace Race' by Swell Type, and 'Sui Generis' by Typodermic (names referenced only for comparison).
Keywords: headlines, posters, sports branding, packaging, app headers, sporty, energetic, assertive, techy, modern, impact, speed, modern branding, high visibility, geometric unity, oblique, rounded, compact, wide stance, sheared terminals.
A heavy, oblique sans with rounded-rectangle (superelliptical) construction and consistently softened corners. Strokes are thick and even, with tight internal counters and a slightly condensed feel in the bowls, while diagonals and curves maintain a smooth, machined rhythm. Terminals are predominantly squared-off with rounding, and the slant creates forward momentum without introducing calligraphic modulation. Numerals and capitals read robust and blocky, while the lowercase keeps a tall, efficient profile and a sturdy baseline presence.
Best suited for short-form display settings where impact matters: headlines, poster typography, sports and esports identity, product packaging, and prominent UI or app headers. It also works well for badges, labels, and punchy callouts where a compact, forward-leaning rhythm helps convey speed and confidence.
The overall tone is fast and forceful, leaning into a sporty, high-impact voice. Its rounded geometry adds approachability, but the weight and slant keep it firmly in an energetic, performance-driven register. The result feels contemporary and purposeful, suited to bold statements rather than subtlety.
The design appears intended to deliver maximum visual punch with a streamlined, geometric voice—combining rounded-rectangle forms with a consistent slant for a sense of motion. It prioritizes bold legibility and a strong silhouette, making it effective for branding and display applications that need to feel modern and dynamic.
The superelliptical bowls (notably in characters like O, C, G, and Q) give the design a cohesive, engineered look, with counters that stay rectangular-rounded rather than purely circular. The oblique angle is consistent across letters and figures, helping maintain a unified texture in longer lines of text. The heavy weight favors larger sizes, where the tight apertures and counters remain clear.