Sans Superellipse Ibdul 3 is a very bold, normal width, medium contrast, upright, normal x-height font visually similar to 'Neue Helvetica', 'Neue Helvetica Paneuropean', and 'Shilia' by Linotype; 'Navine' by OneSevenPointFive; 'Europa Grotesk No. 2 SB' and 'Europa Grotesk No. 2 SH' by Scangraphic Digital Type Collection; and 'Nimbus Sans Novus' by URW Type Foundry (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, assertive, industrial, sporty, friendly, punchy, impact, clarity, modernity, approachability, robustness, blocky, rounded, compact, high-impact, sturdy.
A dense, heavy sans with softly squared curves and rounded-rectangle construction throughout. Strokes are consistently thick with gently softened corners, producing a compact silhouette and strong color on the page. Counters are relatively tight and often squarish (notably in O, D, P, R, and the numerals), while apertures remain clear enough for signage-like clarity. The lowercase shows simple, sturdy forms with short-to-moderate ascenders and descenders, and the numerals are broad, blocky, and highly legible at large sizes.
Best suited for large-scale typography where strong presence and quick recognition matter—headlines, posters, storefront or wayfinding signage, and bold brand wordmarks. It can also work for packaging and labels where a sturdy, modern voice is desired, especially when set with generous tracking and line spacing.
The overall tone is bold and straightforward, mixing a utilitarian, industrial presence with a friendly softness from the rounded corners. It feels confident and energetic, suited to messages that need to read quickly and land with impact rather than subtlety.
The design appears intended to deliver maximum impact with a clean, contemporary silhouette, using rounded-rectangle geometry to keep the heaviness approachable. Its consistent stroke weight and compact counters suggest an emphasis on clarity and robustness in display-forward contexts.
Rhythm is tight and compact, with minimal modulation and a strong rectangular backbone that keeps lines looking uniform. The face leans toward display use: its weight and condensed internal spaces create striking headlines but can feel dense in long paragraphs at smaller sizes.