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Sans Superellipse Ferat 2 is a very bold, very narrow, low contrast, italic, normal x-height font visually similar to 'Naratif Condensed' by Akufadhl, 'Classic Grotesque' by Monotype, 'Tablet Gothic' by TypeTogether, and 'Chairdrobe' by XTOPH (names referenced only for comparison).

Keywords: headlines, posters, sports branding, packaging, signage, sporty, urgent, loud, dynamic, industrial, space saving, impact, motion, headline focus, modern utility, condensed, slanted, rounded corners, blocky, high impact.


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A condensed, heavy sans with a pronounced forward slant and rounded-rectangle construction. Strokes are thick and largely uniform, with softened corners and compact counters that stay open enough for display use. The shapes feel tightly packed and upright in structure despite the italic angle, with short apertures and sturdy terminals that read as cut, blunt endings rather than tapered calligraphy. Curves (C, G, O, S) are squarish and tensioned, and diagonals (A, K, V, W, X, Y) are straight and forceful, creating a dense, high-energy texture in lines of text.

Best suited to short, high-impact settings such as headlines, posters, sports or event graphics, promotional banners, and bold packaging callouts. It can also work for large-format signage where a condensed, space-efficient voice is needed, but it is less appropriate for long-form reading at small sizes due to its dense color and compressed letterforms.

The overall tone is assertive and kinetic, like a headline voice built for speed and impact. It carries a contemporary, utilitarian attitude that suggests motion, competition, and urgency rather than softness or refinement.

The design appears intended to deliver maximum visual impact in minimal horizontal space, combining a strong italic push with rounded-rectangular geometry for a modern, streamlined display voice.

The condensed proportions and strong slant create a tight rhythm, so word shapes feel compressed and fast. Round characters skew toward superelliptical forms, and the bold interior spaces give the lowercase a compact, punchy presence in running samples.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸