Sans Faceted Asjy 4 is a very bold, normal width, monoline, upright, normal x-height font visually similar to 'Hudson NY Pro' by Arkitype, 'Gainsborough' by Fenotype, 'Neue Northwest' by Kaligra.co, 'NT Gagarin' by Novo Typo, 'Hemispheres' by Runsell Type, 'Manifest' by Yasin Yalcin, and 'Winner Sans' by sportsfonts (names referenced only for comparison).
Keywords: sports branding, team uniforms, posters, headlines, packaging, athletic, arcade, industrial, assertive, retro, impact, ruggedness, signage, logo display, retro tech, octagonal, angular, chamfered, blocky, compact.
A heavy, block-built sans with sharply chamfered corners and faceted geometry that replaces most curves with straight cuts. Strokes are consistently thick, with wide interior counters kept open through squared apertures and clipped joins. Proportions lean compact and sturdy, with a strong, even vertical stance; round letters like O and Q become octagonal forms, and diagonals appear as crisp planar slices. The overall rhythm is dense and high-contrast in silhouette, reading as a series of bold, engineered shapes rather than calligraphic forms.
Best suited to display sizes where the bold, faceted silhouettes can dominate—headlines, posters, athletic identity systems, and impactful packaging. It also works well for game UI titles, event graphics, and short labels where a tough, geometric voice is desired.
The tone is forceful and energetic, evoking athletic signage, arcade-era display lettering, and utilitarian industrial marking. Its hard edges and octagonal construction communicate toughness and speed, with a slightly retro, game-like attitude.
The design appears intended to deliver a rugged, high-impact display face built from planar cuts, prioritizing strong silhouettes and consistent chamfer logic over smooth curvature. It aims for quick recognition and a distinctive, industrial-sport aesthetic across letters and numbers.
The faceting is applied systematically across caps, lowercase, and numerals, creating strong stylistic cohesion. In text, the chunky terminals and clipped corners produce a prominent pixel-adjacent feel without becoming strictly grid-based, making word shapes highly graphic and logo-forward.