Sans Superellipse Pimas 12 is a bold, very narrow, low contrast, upright, normal x-height font visually similar to 'Neumatic Gothic' and 'Neumatic Gothic Round' by Arkitype, 'FF Cst Berlin East' by FontFont, 'Monologue' and 'Monologue Rounded' by Halfmoon Type, 'Heroic Condensed' by TypeTrust, 'Ggx89' by Typodermic, and 'Heading Now' by Zetafonts (names referenced only for comparison).
Keywords: headlines, posters, packaging, signage, branding, industrial, condensed, authoritative, modern, utilitarian, space saving, high impact, modern utility, systematic geometry, tall, compact, sturdy, clean, mechanical.
A tall, compact sans with tightly controlled proportions and a pronounced vertical rhythm. Strokes are consistently heavy with minimal contrast, and many curves resolve into rounded-rectangle (superellipse-like) forms that keep counters compact and squared-off rather than fully circular. Terminals are crisp and largely horizontal/vertical, giving the design a firm, engineered feel, while the condensed widths and tight apertures create a dense texture in words. Numerals match the same narrow stance and sturdy, simplified construction.
Best suited for headlines and short statements where a tall condensed footprint saves horizontal space while maintaining strong presence. It works well on posters, packaging, and brand lockups that benefit from a rigid, modern tone, and can also serve effectively for signage or labels where compact, high-impact text is needed.
The overall tone is functional and forceful, with a contemporary, industrial voice. Its compressed silhouettes and firm geometry read as assertive and no-nonsense, suited to messaging that needs to feel direct and controlled rather than expressive or delicate.
The design appears intended to deliver maximum impact in a narrow measure, pairing heavy strokes with superellipse-driven curves to keep forms compact and consistent. Its systematic geometry and restrained detailing suggest a focus on clarity, space efficiency, and a contemporary industrial aesthetic.
In text, the strong verticals and narrow spacing can create a dark, high-impact line, especially in all caps. The rounded-rectangle logic is most evident in bowls and counters, which stay compact and slightly squarish, reinforcing a systematic, signage-like cadence.