Sans Faceted Asjo 6 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Kensmark' by BoxTube Labs, 'Retrofunk' by Hendra Pratama, 'Eckhardt Poster Display JNL' by Jeff Levine, 'NT Gagarin' by Novo Typo, 'Octin College' and 'Refuel' by Typodermic, and 'Winner Sans' by sportsfonts (names referenced only for comparison).
Keywords: sports branding, team apparel, posters, headlines, packaging, athletic, industrial, authoritative, retro, tough, impact, ruggedness, branding, legibility, octagonal, chamfered, blocky, stencil-like, condensed caps.
A heavy, block-built sans with chamfered corners and faceted, near-octagonal curves that replace round bowls with planar cuts. Strokes are uniformly thick with minimal modulation, producing a dense, high-impact texture and strong, squared counters. The caps feel slightly condensed and tightly engineered, while lowercase follows the same angular logic with compact bowls and sturdy terminals. Figures and round letters (O, Q, 0, 8, 9) adopt beveled, polygonal silhouettes, and overall spacing reads sturdy and deliberate for headline use.
Best suited to sports identities, team numbers, and bold branding where impact and recognizability matter more than fine detail. It works well for posters, event titles, labels, and packaging that want an engineered, rugged voice. In longer text, it will read most comfortably at large sizes due to its dense weight and tight counters.
The font projects a tough, athletic tone reminiscent of varsity lettering and utilitarian signage. Its sharp facets and dense weight give it an assertive, no-nonsense presence that feels competitive, rugged, and slightly retro. The overall impression is bold and commanding rather than friendly or delicate.
The design appears intended to deliver a strong, uniform, facet-driven silhouette that stays consistent across letters and numerals. By substituting curves with chamfered planes, it aims for a durable, athletic-industrial look that holds up in logos and high-contrast display settings.
Angular cut-ins and chamfers create a consistent “machined” rhythm across the set, helping similar shapes (C/G/O/Q/0) feel like part of one system. Small interior apertures and compact counters contribute to a dark color, so it benefits from ample size and breathing room in layout.