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Free for Commercial Use

Sans Superellipse Hunay 2 is a very bold, narrow, low contrast, upright, normal x-height font visually similar to 'ATF Alternate Gothic' by ATF Collection, 'Knockout' by Hoefler & Co., 'Anantason Reno' by Jipatype, and 'PG Gothique' by Paulo Goode (names referenced only for comparison).

Keywords: headlines, posters, packaging, branding, signage, condensed, assertive, industrial, sporty, utilitarian, impact, space saving, modernize, soften edges, blocky, compact, rounded corners, high impact, display.


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A compact, heavy sans with a condensed footprint and softened, superellipse-like curves. Strokes are uniform and dense, with squared counters and rounded-rectangle bowls that keep forms sturdy and consistent. Terminals tend to be blunt and flat, while joints and corners are gently eased, producing a blocky silhouette without sharpness. The lowercase shows sturdy, simple constructions with single-storey forms where applicable, and the numerals match the same compact, squared-round geometry for a cohesive texture in runs of text.

Best suited to headlines and short, high-impact messaging where compact width and strong presence are assets. It works well for branding, packaging, and signage that needs bold legibility and a modern, engineered feel, and can also serve as a strong typographic accent in UI or editorial layouts when used sparingly.

The tone is forceful and attention-grabbing, combining an industrial straightforwardness with a slightly friendly softness from the rounded corners. It feels contemporary and no-nonsense, leaning toward energetic, poster-like emphasis rather than quiet refinement.

This design appears intended as a condensed, high-impact sans that balances robustness with softened geometry. The superellipse-based rounding suggests an aim for modern approachability while preserving a firm, space-efficient display voice.

The tight internal spaces and compact letterforms create a dark, punchy typographic color. In longer lines, the condensed rhythm increases density and urgency, making spacing and line breaks especially important for comfortable reading at smaller sizes.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
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9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸