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Free for Commercial Use

Sans Superellipse Hodit 8 is a very bold, normal width, low contrast, upright, tall x-height font visually similar to 'Chamelton' by Alex Khoroshok; 'Mazot' by Hurufatfont; 'Halagar' by Letteralle; 'Core Sans R' by S-Core; and 'Manual', 'Project Sans', and 'Project Soft' by TypeUnion (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, bold, friendly, modern, punchy, playful, impact, approachability, brand voice, display clarity, geometric warmth, rounded, blocky, soft corners, compact, high-impact.


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This typeface is a heavy, rounded sans with a squared-off, superelliptical construction: curves tend to resolve into soft corners and broad, flat terminals rather than true circular bowls. Strokes are consistently thick with little visible modulation, and counters are relatively compact, giving letters a dense, poster-ready color. Uppercase forms are sturdy and geometric, while the lowercase keeps a large x-height and simple, single-storey structures where applicable, maintaining clarity at large sizes. Numerals match the same robust, rounded-rectangle rhythm, producing an even, emphatic texture across mixed settings.

Best suited to display applications where a strong voice is needed—headlines, posters, branding marks, packaging callouts, and bold signage. It can also work for short UI labels or social graphics when a friendly, high-impact look is desired, especially at medium-to-large sizes.

The overall tone is confident and approachable—strong enough for loud headlines, but softened by rounded corners that keep it from feeling harsh or industrial. It suggests contemporary branding and energetic messaging, with a friendly, slightly toy-like warmth that reads as inviting rather than aggressive.

The design appears intended to deliver maximum visual impact with a softened geometric feel, combining a sturdy sans skeleton with rounded-rectangle curves for an approachable, contemporary presence. It prioritizes bold readability and consistent texture, aiming for memorable shapes that reproduce cleanly in graphic layouts.

The design emphasizes mass and silhouette over fine detail, so shapes stay legible through their outer contours even when counters tighten. Spacing appears tuned for impactful display use, with a consistent, chunky rhythm that holds together well in all-caps and in short bursts of text.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸