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Serif Normal Pomem 5 is a bold, normal width, very high contrast, upright, normal x-height font visually similar to 'Acta Deck', 'Acta Pro', 'Acta Pro Deck', 'Acta Pro Headline', and 'Ardina Text' by Monotype (names referenced only for comparison).

Keywords: headlines, editorial design, book titles, magazine covers, pull quotes, editorial, classic, authoritative, formal, literary, classic refinement, editorial hierarchy, headline impact, print tradition, bracketed serifs, ball terminals, teardrop terminals, vertical stress, crisp joins.


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This serif shows strong vertical emphasis with sharply tapered hairlines and weighty main strokes, creating a pronounced thick–thin rhythm. Serifs are bracketed and neatly cut, with wedge-like feet and crisp, slightly calligraphic transitions into stems. Curves exhibit a clear vertical stress, and several lowercase forms use rounded or teardrop terminals (notably on letters like a, c, e, f, and y), giving the face a sculpted, ink-trap-free finish. Capitals are broad and steady with generous bowls and a stable baseline presence, while numerals follow the same high-contrast logic with sturdy verticals and fine connecting strokes.

Well suited to headlines, subheads, and title typography in editorial contexts where contrast and classical detailing add hierarchy and sophistication. It can also work for short passages such as pull quotes, intros, or captions when set large enough to preserve hairline clarity.

The overall tone is traditional and editorial, evoking book typography and legacy print voices. Its firm, stately presence reads as confident and authoritative, with a subtle old-world warmth from the soft bracketing and rounded terminals.

The design intent appears to be a conventional text serif pushed toward a more dramatic, high-contrast headline voice, preserving familiar bookish proportions while adding sharper tapering and refined terminal detailing for impact. It aims for a classic, trustworthy read with a polished, print-centric texture.

The sample text suggests the design holds together best at display and headline sizes, where the fine hairlines and tapered joins remain clear and the dramatic contrast becomes a feature rather than a fragility. Spacing appears balanced with a measured, conventional rhythm rather than tight or experimental fitting.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸