Sans Superellipse Hakol 6 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'Kabyta' by Agny Hasya Studio, 'Phatthana' by Jipatype, and 'Refinery' by Kimmy Design (names referenced only for comparison).
Keywords: headlines, ui labels, logotypes, signage, packaging, modern, techy, industrial, confident, futuristic, clarity, impact, utility, structure, branding, boxy, rounded corners, squared curves, sturdy, compact counters.
The design is built from squared, superelliptical forms with generously rounded corners and a consistent, sturdy stroke. Curves are typically flattened into rounded rectangles, producing compact counters and a boxy rhythm across words. Terminals are mostly blunt and squared-off, with occasional angled cuts on diagonals that add a dynamic, constructed feel. Proportions are broad and stable, and the texture on the line is dense and uniform, favoring strong silhouette clarity.
This font works especially well for headlines, UI labels, dashboards, app and software branding, and packaging where a compact, high-impact sans is needed. It is also well suited to signage, sports or tech-themed graphics, and short-form marketing copy where strong silhouettes improve readability. For long body text, it will be most comfortable at larger sizes due to its dense color and tight, squared counters.
This typeface conveys a confident, engineered tone with a distinctly modern, tech-forward feel. The rounded-rectangle geometry keeps it friendly and approachable, while the heavy, even strokes add authority and a sense of sturdiness. Overall it reads as contemporary, functional, and slightly futuristic rather than delicate or expressive.
The letterforms appear designed to maximize presence and legibility through strong, simplified shapes and consistent stroke weight. The superelliptical construction suggests an intention to look systematic and contemporary, aligning well with digital interfaces and product identities. The overall geometry prioritizes a clean, modular feel that stays recognizable at a glance.
Distinctive squared-round construction is visible throughout, including rounded-rectangle bowls and counters (e.g., O, D, 0, 8) and a consistently rectilinear approach to curves. The uppercase set feels particularly geometric and uniform, while the lowercase maintains the same boxy logic with compact interior spaces, creating a cohesive, strongly branded texture in paragraph samples.