Sans Contrasted Radow 2 is a very bold, normal width, medium contrast, upright, normal x-height font visually similar to 'CF Blast Gothic' by Fonts.GR, 'Americane Condensed' by HVD Fonts, 'Neusa Neu' by Inhouse Type, 'Herd' by Wahyu and Sani Co., and 'Body' by Zetafonts (names referenced only for comparison).
Keywords: headlines, posters, signage, branding, sports graphics, assertive, industrial, retro, sporty, punchy, impact, authority, display, compactness, blocky, compact, sturdy, high-impact, poster-ready.
This typeface is built from heavy, compact forms with a clearly geometric, squared-off construction and softly rounded corners. Strokes are thick with noticeable but controlled contrast, and terminals are predominantly flat, giving letters a cut, machined feel rather than a drawn one. Counters are relatively small and apertures tend to be tight, producing dense silhouettes that hold together as strong shapes. The lowercase is sturdy and simplified, with single-storey forms and a rounded, closed “g”, while numerals follow the same weighty, poster-like logic with broad curves and firm verticals.
It performs best in headlines, posters, packaging fronts, and signage where strong letterforms need to read quickly and project authority. It also suits branding and sports/event graphics that benefit from compact, high-impact typography, and can work for short UI labels when set with sufficient size and spacing.
The overall tone is bold and no-nonsense, with a utilitarian confidence that reads as sporty and industrial. Its compressed, high-mass rhythm suggests retro signage and strong headline energy, prioritizing impact over delicacy.
The design appears intended to deliver maximum visual impact through compact proportions, flat-cut terminals, and sturdy geometric curves. Its simplified, block-forward shapes suggest a focus on bold display settings and confident, utilitarian communication.
The font’s tight internal spacing and small counters make it especially graphic at larger sizes, where the shapes feel intentional and sculpted. In longer passages, the dense color can become visually heavy, so generous leading and spacing help maintain clarity.