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Sans Normal Myrid 5 is a very bold, wide, medium contrast, upright, normal x-height font visually similar to 'Impara' by Hoftype, 'Telder HT Pro' by Huerta Tipográfica, 'Portilla Rounded Bold Sans Font' by Maulana Creative, 'Core Sans N' and 'Core Sans NR' by S-Core, 'Juhl' by The Northern Block, 'Multi' by Type-Ø-Tones, and 'Ebony' by TypeTogether (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, friendly, playful, confident, chunky, retro, impact, approachability, display clarity, retro warmth, rounded, soft corners, heavy weight, compact counters, sturdy.


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A heavy, rounded sans with broad, blocky proportions and softly curved joins that keep the forms friendly despite the mass. Strokes are consistently thick with modest modulation, producing compact counters and sturdy interior shapes. Curves lean toward near-circular bowls, while terminals and corners are subtly softened rather than sharp, giving the letters a molded, punchy silhouette. The overall rhythm is dense and emphatic, with strong vertical presence and clear, simple construction.

Best suited to display settings such as headlines, posters, signage, and brand marks where the thick, rounded shapes can read large and strong. It can work well for packaging and promotional graphics that benefit from a friendly, high-impact tone. For longer passages, it is most effective at larger sizes with generous leading to offset its dense texture.

The font reads as upbeat and approachable, with a bold, poster-like confidence. Its rounded geometry and chunky shapes suggest a casual, retro-leaning tone that feels inviting rather than severe. In text, it maintains a lively, cheerful color that suits attention-grabbing messaging.

The design appears intended to deliver maximum impact with a warm, approachable personality—combining hefty strokes and wide, rounded forms for clear presence in display typography. Its simplified construction and soft corners suggest an emphasis on friendliness and contemporary-retro versatility rather than minimalist austerity.

In the sample text the heavy weight produces a dark typographic color and tight internal whitespace, so spacing and line breaks will strongly affect legibility at smaller sizes. The numerals and lowercase maintain the same rounded, compact character as the caps, keeping a consistent voice across display copy.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸