Sans Superellipse Wahu 8 is a very bold, very wide, low contrast, upright, normal x-height font visually similar to 'Miura' by DSType, 'Bantat' by Jipatype, and 'Radiate Sans' by Studio Sun (names referenced only for comparison).
Keywords: headlines, posters, logotypes, sports branding, packaging, techy, sporty, futuristic, confident, friendly, impact, branding, modernity, distinctiveness, display, geometric, rounded, chunky, compact, stencil-like.
A heavy, geometric sans built from squared-off, superellipse-like curves and flat terminals. The strokes are uniform and dense, with generous corner rounding that keeps the forms smooth despite their mass. Counters are wide and rounded-rectangular, and many letters use horizontal slicing or notch-like cut-ins (notably in S, G, 2, 3, 5, and 9), creating a modular, engineered rhythm. Overall spacing feels sturdy and compact, with short joins and simplified construction that emphasizes silhouette clarity at display sizes.
Best suited for display typography: headlines, large-format posters, sports and esports branding, product and packaging graphics, and punchy UI/wayfinding labels where strong silhouettes help. The distinctive cut-ins and compact counters make it especially effective when set large, in short bursts, or as a brand wordmark.
The tone is bold and contemporary, mixing friendliness from the rounded geometry with a technical, industrial edge from the cut-in details. It reads as energetic and assertive—well suited to high-impact messaging where a modern, slightly futuristic voice is desired.
The design appears intended to deliver maximum impact with a clean geometric framework, combining rounded-rectangle construction with deliberate cut-in accents to create a modern, engineered personality. It prioritizes bold recognition and stylistic distinctiveness over neutrality, aiming for a contemporary tech/sport aesthetic.
Round characters like O, Q, and 0 lean toward a rounded-rectangle shape, giving the family a consistent “soft box” motif. The lowercase follows the same blocky logic, with single-storey forms and strong horizontals; the dot on i/j is rectangular and the j descender is short and squared. Numerals share the same segmented styling, with distinctive horizontal bars that add character but may become prominent at small sizes.