Sans Superellipse Higat 17 is a very bold, narrow, low contrast, upright, normal x-height font visually similar to 'Acumin' by Adobe, 'Sansmatica' by Fontop, 'Neusa Neu' by Inhouse Type, 'Etrusco Now' by Italiantype, 'Ordina' by Schriftlabor, and 'Jane Roe' by deFharo (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, sportswear, assertive, industrial, sporty, modern, compact, impact, compactness, modernity, utility, condensed, blocky, rounded corners, closed apertures, high impact.
A condensed, heavy sans with blunt terminals and subtly rounded corners that push many forms toward a squarish, superellipse-like geometry. Strokes are consistently thick with minimal modulation, creating a dense, dark texture and strong vertical emphasis. Counters are relatively tight and apertures tend to be closed, which reinforces the compact rhythm. The lowercase shows single-storey a and g, a deep-shouldered r, and sturdy, rectangular-feeling bowls; numerals are similarly solid and geometric with generous weight and simplified construction.
Best suited to headlines and short display copy where maximum impact is needed in limited horizontal space. It works well for branding, packaging, and promotional graphics that benefit from a compact, sturdy sans, including sports, industrial, and tech-adjacent visual systems.
The overall tone is loud, confident, and utilitarian, with a no-nonsense presence that reads as contemporary and performance-driven. Its compact width and heavy mass give it a punchy, poster-like energy, while the rounded geometry keeps it approachable rather than sharp or aggressive.
The font appears designed to deliver high-impact messaging with an efficient footprint, using condensed proportions and superellipse-influenced rounds to create a cohesive, modern display voice. Its simplified forms and tight counters prioritize bold silhouette recognition and strong typographic color.
The design favors strong, even silhouettes and clear block shapes over interior openness, so large sizes emphasize its graphic character most. Round letters like O and Q appear more squared-off than circular, contributing to a consistent, engineered feel across caps, lowercase, and figures.