Sans Other Diguk 5 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Izmir' by Ahmet Altun, 'Prosa' by Satori TF, 'Mersh' by Sign Studio, and 'Caros' and 'Caros Soft' by cretype (names referenced only for comparison).
Keywords: headlines, posters, logos, packaging, signage, industrial, stencil, techno, bold, playful, stencil effect, display impact, industrial tone, tech branding, geometric system, cutout, geometric, circular, modular, high-impact.
A heavy, geometric sans with prominent stencil-like interruptions that split bowls and counters, often with a centered vertical slit and occasional horizontal breaks. Strokes are thick and uniform, with rounded outer curves contrasted by straight, squared-off terminals, creating a modular, cutout construction. Counters tend to be compact, and several letters (notably round forms) lean on near-circular geometry, giving the design a consistent, engineered rhythm. The overall texture is dense and emphatic, with the stencil gaps becoming a defining structural motif across uppercase, lowercase, and figures.
Best suited to short, bold settings where the stencil cutouts can be appreciated—headlines, poster typography, brand marks, packaging, and punchy signage. It can also work for tech or industrial-themed graphics where a cut-metal or manufactured aesthetic is desired, but its strong internal breaks make it less ideal for long-form reading at small sizes.
The repeated cut lines and target-like apertures suggest industrial labeling and technical signage, while the exaggerated weight and clean geometry add a contemporary, techno edge. It reads assertive and attention-grabbing, with a slightly playful, futuristic personality driven by its distinctive interruptions.
The design appears intended to merge a robust geometric sans base with a consistent stencil/cutout mechanism, producing a distinctive display voice that feels engineered and modern. The goal seems to be high visual impact and immediate recognizability through repeated internal splits and simplified, modular letterforms.
The stencil gaps remain highly visible at text sizes and can create strong patterning in running copy, especially in letters with round bowls (e, o, c, g, q) and in the zeros and eights. Numerals follow the same split construction, reinforcing a cohesive, system-like feel across alphanumerics.