Sans Superellipse Idnor 5 is a very bold, narrow, low contrast, upright, tall x-height font visually similar to 'Bhelt' by Fateh.Lab, 'Kontesa' by FoxType, 'Sharp Grotesk Latin' and 'Sharp Grotesk Paneuropean' by Monotype, and 'Extenda' by Zetafonts (names referenced only for comparison).
Keywords: posters, headlines, packaging, logos, sports branding, impactful, industrial, playful, sporty, poster-ready, space-saving impact, high visibility, friendly strength, modern display, compressed, blocky, rounded, soft corners, compact spacing.
This typeface is a heavy, compressed sans with rounded-rectangle construction and softly blunted corners. Strokes are monolinear and massy, producing dense black shapes with small counters and tight internal apertures. Curves tend to resolve into squarish bowls rather than perfect circles, while verticals stay dominant and straight, creating a compact, stacked rhythm. Terminals are generally flat and squared off, with consistent corner rounding that keeps the overall silhouette cohesive across caps, lowercase, and numerals.
Best used for headlines, posters, and display settings where strong presence and condensed width help fit short phrases into limited space. It can work well on packaging, signage, and brand marks that need a sturdy, modern, slightly playful industrial feel, especially at medium-to-large sizes.
The tone is bold and assertive, with a friendly, slightly toy-like softness coming from the rounded corners and squarish curves. It reads as energetic and attention-seeking, well suited to punchy messaging where visual weight and immediacy matter more than delicacy.
The design appears intended to deliver maximum impact in a compact footprint while staying approachable through rounded-rectangle shaping. Its consistent, monolinear construction prioritizes bold texture and straightforward legibility in display contexts.
Lowercase forms maintain a sturdy, simplified build with minimal modulation and compact counters, helping the font hold together at large sizes. Numerals match the same blocky, rounded-rect geometry, keeping a uniform texture in mixed text. The overall color on the page is very dark and even, so spacing and line breaks become key for comfortable reading.