Sans Superellipse Gelar 5 is a very bold, normal width, low contrast, italic, normal x-height font visually similar to 'Korolev' by Device, 'Neusa Neu' by Inhouse Type, 'Helvetica Now' by Monotype, and 'Air Superfamily' by Positype (names referenced only for comparison).
Keywords: headlines, posters, sports branding, packaging, signage, sporty, energetic, assertive, modern, friendly, attention, momentum, modernity, approachability, impact, rounded, slanted, compact, blocky, smooth.
A heavy, right-slanted sans with soft, superelliptical curves and squarish counters that keep round letters feeling controlled rather than geometric. Strokes are thick and even, with minimal contrast and broadly rounded terminals that reduce sharpness while preserving a strong silhouette. Proportions are compact and punchy, with sturdy bowls and tight apertures; diagonal forms (V/W/X/Y) feel muscular and forward-leaning. Numerals follow the same bold, rounded-rectangle logic, maintaining consistent weight and a cohesive rhythm alongside the letters.
Best suited for headlines and display settings where its bold mass and forward slant can carry the message quickly. It works well for sports branding, event promotions, posters, and punchy packaging or signage that benefits from high visibility and a modern, energetic tone. Short calls-to-action and logos can leverage its compact, rounded forms for a strong yet approachable presence.
The font conveys speed and impact, pairing a bold presence with approachable roundedness. Its slant adds momentum and a sporty, promotional tone, while the smooth curves keep it friendly rather than aggressive. Overall it reads modern and confident, suited to attention-grabbing messaging.
The design appears intended as a high-impact italic display sans that blends speed cues with rounded, contemporary geometry. By combining thick, even strokes with superelliptical curves, it aims to stay friendly and legible while still projecting power and momentum.
Letterforms show a consistent superellipse construction across curves, giving counters a slightly squared feel that enhances legibility at large sizes. The italic angle is pronounced enough to suggest motion, and the dense stroke weight creates strong word shapes that hold together well in short lines. The design’s softness at terminals helps prevent the heavy weight from feeling brittle or overly technical.