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Sans Superellipse Himel 18 is a very bold, normal width, monoline, upright, normal x-height font visually similar to 'Chamelton' by Alex Khoroshok, 'Penny Lane' by K-Type, 'Lyu Lin' by Stefan Stoychev, and 'Aksioma' by Zafara Studios (names referenced only for comparison).

Keywords: headlines, posters, branding, signage, packaging, confident, friendly, modern, punchy, utilitarian, impact, approachability, clarity, modernity, simplicity, rounded, blocky, compact, high contrast, sturdy.


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A heavy, rounded sans with squared-off curves and superellipse-like bowls that read as softened rectangles rather than pure circles. Strokes are consistently thick and largely uniform, with broad terminals and minimal modulation, producing a compact, solid silhouette. Counters are relatively tight in letters like B, P, R, and a, while round forms such as O and Q keep an even, geometric rhythm; the Q uses a short, simple tail. Lowercase shapes are straightforward and contemporary, with single-storey a and g, a compact e with a small eye, and sturdy, vertical-sided n/m/u forms that emphasize stability.

Well-suited to headlines, posters, and short, prominent statements where strong weight and rounded geometry create immediate presence. It can work effectively in branding and packaging for products seeking a modern, approachable boldness, and it holds up well for signage or wayfinding where quick recognition is important. For longer text, it is best used in larger sizes or with ample spacing to offset the tight internal counters.

The overall tone is direct and assertive, with a friendly softness from the rounded geometry. It feels modern and functional, leaning toward bold, no-nonsense messaging while staying approachable. The visual voice suggests clarity and impact rather than delicacy or formality.

The design appears intended to deliver maximum impact with a clean, contemporary look, using softened rectangular curves to balance strength and friendliness. Its consistent stroke behavior and geometric construction prioritize clarity, recognizability, and a bold graphic footprint in display contexts.

The set maintains strong consistency across caps, lowercase, and numerals, with generous stroke weight creating clear, high-impact word shapes at display sizes. Angular letters (K, M, N, V, W, X, Y, Z) keep crisp diagonals that contrast with the rounded bowls, adding energy without breaking the geometric system. Numerals are simple and robust, with a rounded 0 and compact 8/9 forms suited to prominent figure setting.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸