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Free for Commercial Use

Sans Superellipse Femat 15 is a very bold, narrow, low contrast, italic, tall x-height font visually similar to 'FF Good' and 'FF Good Headline' by FontFont and 'Cervo Neue' by Typoforge Studio (names referenced only for comparison).

Keywords: headlines, posters, sports branding, packaging, promotions, sporty, urgent, punchy, modern, confident, impact, momentum, space saving, branding, condensed, slanted, blocky, rounded corners, high impact.


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This typeface is a condensed, heavy sans with a pronounced rightward slant and compact proportions. Strokes are broadly uniform, creating solid, poster-like color, while curves are built from rounded-rectangle geometry that gives bowls and counters a squarish softness. Terminals are mostly blunt and cut cleanly, with occasional angled joins that reinforce the forward-leaning rhythm. The lowercase is large relative to capitals, with tight internal counters and sturdy joins that keep forms dense and cohesive at display sizes.

It performs best in headlines, short slogans, and large-format applications where its dense weight and condensed width can maximize impact in limited space. The strong slant and blocky forms make it especially effective for sports-themed branding, promotional graphics, packaging callouts, and bold editorial display settings.

The overall tone is fast, assertive, and contemporary, with a forward-leaning stance that reads as energetic and competitive. Its chunky, condensed shapes suggest urgency and momentum, making it feel well suited to bold messaging and attention-grabbing statements.

The design appears intended to deliver maximum visual impact with a compact footprint, combining condensed proportions with a dynamic slant for speed and emphasis. Its rounded-rectangular construction likely aims to balance toughness with approachability, keeping the forms bold without feeling sharp or brittle.

Round letters like O, Q, and 0 show a superelliptical construction with squared-off sides and rounded corners, while diagonals in letters such as A, K, V, W, X, and Y create a strong directional texture. Numerals are equally compact and weighty, matching the letterforms for consistent impact in mixed copy.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸