Sans Superellipse Ibmaz 2 is a very bold, narrow, low contrast, upright, normal x-height font visually similar to 'Square 721' by Bitstream; 'Britva' by Juraj Chrastina; 'Eurostile LT', 'Eurostile Next', and 'Eurostile Next Paneuropean' by Linotype; 'Avesta Extra Bold' and 'Iranica' by Naghi Naghachian; and 'Eurostile' and 'Eurostile Round' by URW Type Foundry (names referenced only for comparison).
Keywords: headlines, posters, signage, packaging, branding, industrial, poster, assertive, utilitarian, retro, space saving, impact, clarity, blocky, condensed, rounded corners, compact, sturdy.
A compact, heavy sans with a condensed footprint and rounded-rectangle construction throughout. Strokes are thick and uniform, with corners softened into squarish curves rather than true circles, giving counters a superelliptical feel. The design favors flat terminals, tight apertures, and dense internal spacing; curves on C/G/S and bowls on B/P/R are controlled and minimally flared. Lowercase forms are straightforward and upright with short extenders and small, squared-off details (notably the i/j dots), while numerals are similarly blocky and tabular-looking in rhythm.
Best suited to short, high-impact settings such as headlines, posters, labels, and signage where compact width and strong presence are advantages. It can also work for logo wordmarks and bold UI callouts, but is less comfortable for long passages due to its dense texture and tight apertures.
The overall tone is forceful and no-nonsense, with an industrial, workmanlike confidence. Its compact mass and squared rounding evoke utilitarian signage and bold headline typography, leaning slightly retro without becoming decorative.
The design appears intended to deliver maximum visual weight in minimal horizontal space while maintaining a clean sans structure. Its rounded-rectangle geometry suggests a focus on sturdy, reproducible shapes that read well in bold display contexts.
In text, the dense color and tight openings can cause letters to visually merge at smaller sizes, especially in sequences with similar vertical strokes. The roundness is consistent and restrained, producing a cohesive, stamped look rather than a soft, friendly one.