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Blackletter Hywy 2 is a very bold, normal width, medium contrast, upright, normal x-height font visually similar to 'ATF Railroad Gothic' by ATF Collection, 'Akzidenz-Grotesk' and 'Akzidenz-Grotesk W1G' by Berthold, 'OL Newsbytes' by Dennis Ortiz-Lopez, and 'Neue Helvetica' and 'Neue Helvetica Paneuropean' by Linotype (names referenced only for comparison).

Keywords: posters, headlines, packaging, signage, book covers, rustic, playful, folkloric, dramatic, handmade, expressive display, vintage feel, hand-cut texture, thematic branding, bulky, ink-trap, rounded, wobbly, soft serif.


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A very heavy, poster-like face with chunky stems, rounded outer contours, and irregular, hand-cut edges. The strokes show subtle waviness and pinched joins that create occasional ink-trap notches and uneven terminals, giving each glyph a carved or stamped feel. Counters are relatively small and often asymmetrical, while the overall spacing and letter widths vary noticeably, reinforcing an organic rhythm. Numerals and capitals match the same blunt, sculpted weight and slightly lumpy silhouette.

This design is well suited to short display settings such as posters, headlines, packaging labels, and signage where its chunky silhouette can do the work. It can also add character to book covers or section headers, especially in themes that lean vintage, folkloric, or slightly spooky. For longer passages, it will typically perform better as an accent style rather than a primary text face.

The font conveys a folksy, handmade energy with a touch of theatrical darkness—more playful than formal. Its roughened outlines and stout forms evoke vintage signage, printed ephemera, and storybook display typography, creating an expressive, characterful voice.

The likely intention is to deliver a bold display face that feels hand-rendered and old-world in spirit, while staying approachable through rounded forms and soft, irregular detailing. Its variable widths and intentionally imperfect edges suggest a desire to mimic printed or carved lettering rather than geometric precision.

Despite the irregular outlines, the set remains visually consistent through repeated motifs: thick vertical emphasis, softened corners, and distinctive notches at joins. The bold color and compact counters make it attention-grabbing, but the textured shapes suggest it will read best with generous sizing and air around the text.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸