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Free for Commercial Use

Sans Normal Iske 8 is a very bold, very wide, medium contrast, upright, tall x-height font visually similar to 'ATC Duel' by Avondale Type Co., 'Rhode' by Font Bureau, 'Cy Grotesk' and 'Cy Grotesk Std' by Kobuzan, and 'Favela' by Machalski (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, sportswear, punchy, playful, retro, sporty, friendly, impact, approachability, display clarity, retro flavor, brand presence, rounded, soft corners, blunt terminals, compact apertures, heavy counters.


Free for commercial use
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A heavy, rounded sans with broad proportions and a dense, compact texture. Strokes are thick and even with softly squared corners, producing a sturdy, blocky silhouette rather than a geometric razor-sharp look. Bowls and counters tend to be tight, apertures are relatively closed, and curves are generous, especially in letters like C, G, O, and S. The lowercase is built for impact with a prominent x-height and simple, sturdy joins; numerals share the same chunky, rounded construction for consistent color in mixed settings.

This font performs best in large-scale applications where strong impact and a cohesive, chunky texture are desired—such as headlines, posters, branding marks, packaging callouts, and sports or event promotions. It can also work for short UI labels or signage when used at sufficiently large sizes and with ample spacing.

The overall tone is bold and upbeat, with a nostalgic, poster-like presence. Its rounded heft reads friendly and approachable while still feeling assertive, making it well-suited to energetic, attention-grabbing messaging.

The design appears intended to deliver maximum visual weight with a friendly, rounded voice, emphasizing bold legibility and a confident, graphic silhouette. It prioritizes punch and personality over fine detail, aiming for a classic display sans feel that reads immediately from a distance.

Spacing and sidebearings appear tuned for display use, yielding a tight, high-ink rhythm that holds together strongly in large headlines. The shapes lean toward closed forms and thick joins, which reinforces solidity but can reduce differentiation at smaller sizes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸