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Free for Commercial Use

Sans Normal Tylos 5 is a very bold, wide, medium contrast, upright, normal x-height font visually similar to 'Proza' by Bureau Roffa, 'Arzachel' by CAST, 'EQ' by Cadson Demak, 'City Boys' and 'City Boys Soft' by Dharma Type, 'Big Vesta' by Linotype, and 'Le Monde Sans Std' by Typofonderie (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, friendly, confident, playful, retro, impact, approachability, legibility, rounded, bulky, soft, compact, high-impact.


Free for commercial use
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This typeface uses hefty, rounded forms with softly squared terminals and broad curves that keep counters open despite the heavy stroke weight. Proportions skew expansive and stable, with wide, calm letterforms and minimal modulation, creating an even, poster-like texture across lines. The lowercase shows single-storey a and g, large bowls, and short, sturdy joins; apertures in letters like c, e, and s remain readable but are tightened by the mass of the strokes. Figures are robust and geometric, with the 0 and 8 notably full and circular, and punctuation appears simplified and bold to match the overall color.

Best suited to headlines and short statements where strong typographic color is an advantage—posters, packaging, brand marks, signage, and social graphics. It can work for brief subheads or callouts, but the heavy rhythm is most effective when used sparingly rather than for long-form reading.

The overall tone is bold and approachable, combining a solid, no-nonsense presence with a rounded friendliness. Its chunky geometry and softened corners suggest a slightly retro, pop-forward sensibility that feels welcoming rather than austere.

The design appears intended to deliver maximum impact with a friendly, rounded voice—pairing sturdy, geometric construction with softened details for accessible, contemporary display typography.

Spacing and sidebearings read as generously set for display, helping prevent dark clumping at large sizes. The shapes favor simple construction and clear silhouettes, prioritizing impact and consistency over fine detailing.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
24px
22px
20px
19px
18px
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16px
15px
14px
13px
12px
11px
10px
9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸