Sans Other Aslil 14 is a bold, wide, low contrast, upright, normal x-height font visually similar to 'Malva' by Harbor Type, 'Foro Sans' and 'Qubo' by Hoftype, 'Bjorn' by Monotype, 'Core Sans N SC' and 'Core Sans NR' by S-Core, 'Comenia Sans' by Suitcase Type Foundry, and 'Kappa' by W Type Foundry (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, logos, playful, quirky, friendly, retro, punchy, standout display, brand character, modern retro, rounded corners, ink-trap feel, soft terminals, chamfered cuts, geometric.
A heavy, geometric sans with broad proportions and a compact, blocky rhythm. Strokes stay largely uniform, but many joins and corners are softened by rounded shaping and occasional chamfer-like cuts, creating a slightly sculpted, modular look. Several glyphs show distinctive notch/ink-trap-like interior cutouts and squared counters, while curves (C, G, O) remain wide and open. The lowercase is built from simple, sturdy forms with single-storey a and g, short arms, and sturdy bowls that keep the texture dense and stable in display sizes.
Best suited to display settings such as headlines, posters, brand marks, packaging, and short promotional copy where its broad stance and distinctive detailing can be appreciated. It can also work for labels, signage, and social graphics when a friendly but unconventional voice is desired.
The overall tone is upbeat and idiosyncratic—confident and modern, but with a retro, toy-block charm. Its unusual cut-ins and softened geometry add personality without becoming chaotic, making it feel approachable and graphic.
The font appears designed to deliver maximum presence with a simple geometric foundation, then differentiated through soft corners and deliberate cut-in details. The aim is likely a memorable, characterful sans for modern display typography that stands apart from more neutral grotesks.
The design emphasizes strong silhouettes and generous widths, producing a high-impact word shape. The distinctive interior notches and squared apertures create recognizable letterforms that read best when given enough size and spacing to breathe.