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Sans Normal Luney 11 is a very bold, very wide, low contrast, italic, tall x-height font visually similar to 'Dexa Pro' by Artegra, 'Adero' and 'Bizmo' by Eko Bimantara, 'Muller Next' by Fontfabric, 'Otoiwo Grotesk' by Pepper Type, and 'NeoGram' by The Northern Block (names referenced only for comparison).

Keywords: headlines, posters, sports branding, packaging, social ads, sporty, punchy, confident, retro, energetic, display impact, speed emphasis, headline clarity, brand punch, slanted, rounded, soft corners, compact spacing, high impact.


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A heavy, slanted sans with broad proportions and smooth, rounded outer curves. Strokes are consistently thick with minimal contrast, creating a dense, poster-like color on the page. Counters are fairly open for the weight, while joins and terminals favor blunt, slightly softened cuts rather than sharp calligraphic endings. The overall rhythm is wide and steady, with a tall lowercase presence and a strongly forward-leaning stance that keeps shapes feeling in motion.

Best suited to large-scale display settings such as headlines, posters, event graphics, and promotional layouts where impact matters most. It also fits sports branding, product packaging, and social media ads that benefit from a fast, emphatic voice. Use generous line spacing and avoid very small sizes to preserve counter clarity.

The tone is assertive and energetic, with a sporty, headline-driven confidence. Its forward slant and oversized forms give it a sense of speed and momentum, while the rounded geometry keeps the feel friendly rather than aggressive. The result reads as bold, contemporary, and slightly retro in the way classic athletic and promotional lettering often is.

The design appears intended to deliver maximum visual impact with a dynamic, forward-leaning emphasis. Its wide, rounded construction prioritizes bold presence and quick recognition, aiming for energetic display typography that feels modern yet familiar in athletic and advertising contexts.

The numerals share the same slanted, weighty construction, with simple, sturdy silhouettes intended to hold up at large sizes. In text, the heavy weight and broad forms can quickly dominate a layout, making it most comfortable as a display face rather than for extended reading.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸