Sans Superellipse Hadef 3 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Artegra Soft', 'Dexa Round', and 'Habanera' by Artegra; 'Nietos' by Melvastype; and 'Exuberance' by T-26 (names referenced only for comparison).
Keywords: branding, headlines, ui labels, posters, packaging, friendly, modern, approachable, clean, confident, modernize, soften geometry, maximize impact, improve clarity, rounded, geometric, soft corners, even rhythm, compact counters.
A rounded geometric sans with a superelliptical construction: curves feel squared-off at the extremes and corners are consistently softened. Strokes are heavy and uniform, with minimal modulation and smooth joins, producing dense, stable silhouettes. Proportions are fairly compact, with generous stroke thickness relative to the counters; circular letters read as rounded rectangles rather than perfect circles. The lowercase is straightforward and utilitarian, with short-to-moderate ascenders/descenders, open apertures, and sturdy terminals, while numerals share the same rounded, blocky geometry for a cohesive texture.
This font performs well where you want a bold, friendly presence: brand marks and wordmarks, punchy headlines, product packaging, and poster typography. The sturdy shapes and clear forms also suit short UI labels, navigation, and feature callouts, especially when set with a bit of breathing room.
The overall tone is contemporary and friendly, balancing a tech-adjacent geometric discipline with warm, softened corners. It feels confident and no-nonsense without becoming harsh, making it suitable for approachable branding and clear, high-impact messaging.
The design appears intended to deliver a modern geometric voice with softened, superelliptical forms—combining high impact and clarity with a welcoming, contemporary feel. Its consistent geometry and uniform stroke treatment suggest an emphasis on coherence across letters and numerals for reliable display and interface use.
At larger sizes the superellipse logic is especially visible in O/C/G and the rounded-rect counters of B/8. In tighter settings the heavy strokes and compact inner spaces can make text feel dark, so it tends to read best with comfortable letterspacing or at display sizes.