Sans Normal Lulov 11 is a very bold, wide, low contrast, italic, normal x-height font visually similar to 'Croih' by 38-lineart, 'Ellora' by 99TyppeFoundry, '1955' and 'Jarvis' by Alan Smithee Studio, 'Afical' by Formatype Foundry, 'Modern Sans' by Larin Type Co, 'Galano Grotesque' by René Bieder, 'Nova Pro' by XdCreative, and 'Buvera' by Yukita Creative (names referenced only for comparison).
Keywords: headlines, posters, sports branding, packaging, signage, sporty, energetic, modern, assertive, friendly, high impact, dynamic tone, bold clarity, modern branding, display strength, slanted, rounded, bulky, compact, punchy.
A heavy, right-slanted sans with broad proportions and smooth, rounded construction. Strokes are thick and even, with soft corners and generous curves that keep counters open despite the weight. The overall rhythm is compact and forward-leaning, with slightly condensed internal spaces and simplified joins that read cleanly at display sizes. Figures are similarly robust and geometric, matching the letterforms in weight and stance.
Best suited for headlines and short bursts of text where impact and motion are desired, such as sports branding, event graphics, and promotional posters. The sturdy shapes and open counters also work well for packaging and signage, especially where a modern, energetic voice is appropriate.
The font projects speed and momentum through its consistent slant and muscular shapes, giving it a sporty, high-impact tone. Rounded terminals and open counters add approachability, balancing the forceful weight with a friendly, contemporary feel. Overall it reads confident and attention-grabbing rather than formal or delicate.
The design appears intended to deliver maximum presence with a dynamic, italicized stance, pairing hefty strokes with rounded geometry for approachable strength. It prioritizes bold legibility and a sense of speed, suggesting use in contemporary branding and display applications where immediacy and confidence matter.
The slant is pronounced and consistent across capitals, lowercase, and numerals, creating a cohesive forward motion in text. Round letters (like O and o) feel slightly squashed horizontally, while diagonals and bowls maintain a smooth, simplified geometry that favors bold clarity over fine detail.