Sans Superellipse Utkaw 5 is a bold, very wide, low contrast, upright, normal x-height font visually similar to 'Quadrillion' by Typodermic (names referenced only for comparison).
Keywords: headlines, logos, posters, packaging, ui display, techy, futuristic, sporty, friendly, industrial, impact, modernity, clarity, approachability, brandability, rounded, extended, geometric, squared-off, monoline.
A heavy, extended sans with monoline strokes and consistently rounded, squared-off corners. Curves are built from superelliptical shapes—rounded rectangles and soft-shouldered bowls—giving counters a wide, smooth feel and keeping joins clean. Terminals are mostly blunt with generous corner radii, producing a stable horizontal rhythm; diagonals in letters like A, K, V, W, X, and Y are crisp but softened at the ends. The lowercase is compact and straightforward, with a single-storey a and simple, open forms that maintain even color at large sizes.
Best suited for headlines, branding, and logo work where a strong, wide silhouette can carry the message. It also fits product and tech packaging, sports or automotive-style graphics, and UI display roles such as feature callouts, navigation labels, or dashboard readouts where a rounded, modern aesthetic is desired.
The overall tone is modern and tech-forward, with a streamlined, engineered look that still feels approachable due to the soft rounding. Its wide stance and sturdy shapes suggest speed, hardware, and contemporary product design rather than editorial refinement. The result is a confident, high-impact voice suited to bold statements.
The design appears intended to merge geometric clarity with softened edges, creating a contemporary, screen-friendly display sans that feels both engineered and inviting. Its extended proportions and superelliptical construction emphasize impact and recognizability across large-scale applications.
Round characters like O and Q read as squarish ovals, and the numerals follow the same rounded-rectangle logic, keeping the set visually unified. Spacing appears intentionally generous in the wide forms, helping shapes stay distinct in display settings and giving the text a clean, modular cadence.