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Sans Superellipse Abriy 4 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Allrounder Grotesk Condensed' by Identity Letters, 'PF Das Grotesk Pro' by Parachute, 'Otoiwo Grotesk' by Pepper Type, 'Hamburg Serial' by SoftMaker, 'TS Hamburg' by TypeShop Collection, and 'Tablet Gothic' by TypeTogether (names referenced only for comparison).

Keywords: headlines, ui labels, wayfinding, posters, branding, modern, confident, clean, friendly, utilitarian, clarity, modernization, systematic, approachability, impact, rounded, geometric, compact, crisp, even.


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A heavy, geometric sans with rounded-rectangle construction and broadly squared curves in bowls and counters. Strokes are uniform and sturdy, terminals are clean and largely squared off, and joins stay crisp, producing a solid, high-ink silhouette. Round letters like C, G, O, and Q read as softened superellipses, while verticals and horizontals stay stable and straight, giving the face a compact, efficient rhythm. The lowercase is straightforward and highly legible, with open apertures and simple forms that maintain consistent texture in text.

This font performs best where strong clarity and compact impact are needed: headlines, interface labels, navigation and wayfinding, and promotional graphics. Its uniform stroke and rounded geometry also make it suitable for contemporary branding systems that need a stable, repeatable typographic voice across print and screen.

The overall tone is contemporary and practical, combining a friendly softness from the rounded geometry with a confident, no-nonsense weight. It feels tech-forward and editorial at the same time, suited to clear communication rather than ornament.

The design appears intended to deliver a robust geometric sans that stays friendly through rounded-square curves while retaining a disciplined, engineered structure. It prioritizes legibility, consistency, and a modern graphic presence in both display sizes and short text blocks.

Spacing appears disciplined and even, helping the font hold up in longer lines. Figures are sturdy and simple, and the uppercase has a strong, sign-like presence while the lowercase keeps a workhorse, UI-ready demeanor.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸