Sans Normal Kobeb 10 is a bold, normal width, low contrast, italic, normal x-height font visually similar to 'Mollen' by Eko Bimantara, 'Fabrikat Normal' by HVD Fonts, 'Applied Sans' by Monotype, 'Aago' by Positype, and 'Dylan Condensed' by Wiescher Design (names referenced only for comparison).
Keywords: headlines, posters, branding, signage, sports, sporty, urgent, modern, technical, advertising, impact, motion, clarity, modernity, slanted, geometric, clean, crisp, compact.
A slanted sans with sturdy, uniform stroke weight and smooth, rounded geometry. Curves are broadly circular and terminals are clean and unadorned, giving the letterforms a straightforward, engineered feel. The overall rhythm is compact and punchy, with consistent proportions and clear counters; diagonals and angled joins (notably in A, K, V, W, X, Y) reinforce the forward lean and keep the texture energetic in both uppercase and lowercase. Numerals are similarly built—simple, open, and highly legible—with a rounded 0 and firmly constructed 8 and 9 that match the alphabet’s weight and curvature.
Well-suited to headlines and display settings where a strong, energetic texture is desirable—posters, promotional graphics, brand marks, and event or sports-oriented materials. It can also work for short UI labels or signage where the slanted stance helps convey immediacy, though longer passages will visually dominate due to its emphatic presence.
The font reads fast and purposeful, with a forward-leaning tone that suggests motion and confidence. Its clean geometry and strong presence feel contemporary and pragmatic, leaning toward a sporty, promotional voice rather than a quiet editorial one.
The design intention appears to be a clear, contemporary sans that communicates speed and impact through slant, robust strokes, and geometric construction. It aims for broad legibility at larger sizes while maintaining a cohesive, modern texture across letters and numerals.
Spacing appears even and built for impact, producing a dense, high-visibility line of text in the sample. The design keeps detail to a minimum—no decorative terminals or contrast effects—so the silhouette and slant do most of the expressive work.