Font Hero

Free for Commercial Use

Sans Normal Osgoh 6 is a very bold, wide, low contrast, upright, normal x-height font visually similar to 'Neufile Grotesk' by Halbfett; 'HD Canton', 'HD Node', 'HD Node Sans', and 'HD Node X' by HyperDeluxe; 'PT Schimetrik' by Paavola Type Studio; and 'NeoGram' by The Northern Block (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, bold, friendly, modern, playful, confident, impact, approachability, clarity, display, soft, rounded, chunky, compact, high impact.


Free for commercial use
Customize the font name

A heavy, rounded sans with broad proportions, compact counters, and a strongly uniform stroke presence. Curves are smooth and full, while joins and terminals are generally blunt, giving letters a sturdy, blocky silhouette without sharp detail. The lowercase shows simple, single-storey constructions where applicable and maintains a consistent, straightforward rhythm; apertures tend to be tight, and bowls read as deep, dark shapes. Numerals match the letters in mass and width, with large, circular forms and minimal internal space that reinforces the dense texture in text.

This font is well suited to headlines, posters, and attention-grabbing branding where a bold, rounded voice is desired. It also fits packaging and short-form messaging that benefits from strong presence and clear, simplified shapes. In longer passages, it will work best at larger sizes with comfortable line spacing to prevent the dense texture from feeling heavy.

The overall tone is loud, friendly, and contemporary, projecting confidence through its dense color and expansive shapes. Its rounded geometry and straightforward detailing keep it approachable rather than aggressive, making it feel upbeat and somewhat playful while still emphatic.

The design appears intended as a high-impact, rounded sans for display settings, prioritizing strong silhouettes, consistency, and a friendly, modern feel over fine detail or delicate spacing.

Spacing appears generous enough for display use, but the combination of wide letterforms and tight counters creates a very dark typographic color, especially in multi-line settings. The design reads best when given room and scale, where its smooth curves and chunky silhouettes can stay distinct.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸