Serif Normal Mirah 6 is a bold, normal width, very high contrast, upright, normal x-height font visually similar to 'Kresson Black' by BA Graphics; 'Ang Thong BT', 'Dutch 801', 'Dutch 801 WGL', and 'Frank Ruehl BT' by Bitstream; and 'CG Times' by Monotype (names referenced only for comparison).
Keywords: headlines, editorial, book covers, posters, branding, authoritative, classic, formal, stately, tradition, authority, display impact, editorial clarity, formal tone, bracketed, wedge serifs, crisp, sculpted, calligraphic.
A strongly modeled serif with pronounced thick–thin modulation and crisp, bracketed wedge serifs. The letterforms show a vertical, steady posture with firm stems and hairline-like joins in curves, creating a sculpted, high-impact texture. Capitals are broad and dignified with sharp apexes and deep counters, while lowercase maintains a traditional rhythm with a two-storey “a,” compact bowls, and clear entry/exit strokes. Numerals are sturdy and old-style in feel, with noticeable contrast and tapered terminals that match the overall stroke logic.
Best suited to headlines, subheads, and short to medium passages where its dramatic modulation can shine. It works well for editorial layouts, book and magazine typography, formal branding, certificates, and poster copy that needs a classic, authoritative presence.
The font reads as confident and traditional, with a distinctly editorial voice. Its sharp contrast and decisive serifs evoke heritage publishing, academic formality, and classic institutional tone, while the bold presence adds a sense of gravitas and proclamation.
The design appears intended to deliver a conventional serif structure with heightened contrast and a bold, attention-getting weight, balancing classic proportions with a more assertive, display-leaning impact. It aims to provide a familiar reading pattern while adding visual drama through sharp serifs and strongly tapered strokes.
In text, the strong contrast produces a lively page color and clear hierarchy, especially at display sizes. The italic is not shown; the sample demonstrates a roman that prioritizes crisp edges, tight internal shaping, and a consistent serif vocabulary across capitals, lowercase, and figures.