Sans Superellipse Hidez 6 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Hudson NY Pro' by Arkitype, 'Enamela' by K-Type, 'Joe College NF' by Nick's Fonts, 'Gemsbuck Pro' by Studio Fat Cat, 'Refuel' by Typodermic, 'Radley' by Variatype, and 'Winner Sans' by sportsfonts (names referenced only for comparison).
Keywords: posters, headlines, logos, packaging, signage, industrial, sporty, techno, assertive, modern, maximum impact, bold legibility, modern branding, signage clarity, blocky, rounded corners, compact, sturdy, geometric.
A heavy, block-forward sans with forms built from rounded rectangles and softened corners rather than true circles. Strokes are consistently thick with minimal modulation, producing a dense, poster-ready texture. Counters are tight and often squared-off, and many joins terminate in straight cuts, giving the letters a machined, engineered feel. Uppercase shapes are broad and stable, while lowercase stays compact with simple, utilitarian construction and short extenders; overall spacing reads slightly tight, reinforcing the solid color on the page. Numerals follow the same squared, rounded-corner logic for clear, uniform signage-like silhouettes.
Best suited for short, high-impact text such as headlines, posters, labels, and branding marks where strong presence and quick recognition are priorities. It can also work for signage and UI callouts when used sparingly, especially at larger sizes where its tight counters remain clear.
The overall tone is forceful and utilitarian—confident, sporty, and slightly techno. Its rounded corners keep it from feeling harsh, but the mass and compact counters maintain a no-nonsense, high-impact voice suited to bold statements and emphasis.
Likely intended as a contemporary display sans that delivers maximum visual weight with a friendly, rounded-rectangle geometry. The goal appears to be bold legibility and a compact, engineered aesthetic that reads reliably across letters and numbers in punchy, attention-grabbing settings.
The design language is highly consistent across uppercase, lowercase, and figures, with a strong preference for straight segments and rounded-rectangle curvature. The resulting rhythm is punchy and compact, favoring impact over delicacy, and it holds up well in large settings where the shapes can breathe.